To take a good portrait you need good taste and not much shooting technique. we do not need expensive and modern equipment because you can capture aesthetic memories even with digital compactors and smartphones. If it feels more natural – even if you perfect it by admiring the “master” photos – shooting tips were learned thanks to these ten techniques and tricks for immediate effect.
Some are popping up with the eyes of the photographer and those who become good do not exercise a bit
Right Light – Photography comes from the Greek word “writing by light”. Experienced photographers can catch a glimpse of the color, intensity, and equilibrium of light on the scene before shooting. You also have to watch him. In the middle of summer or in the snow, for example, he avoids the midday light, which is very intense and “hard”: it is better to pick up the first morning or the second evening. Be careful that the light is uniform and not too strong because the risks are most contrast, with some areas of the image too white or black, and not enough detail is visible. There should be no shadows on the face in portrait, even within the group: rather move the subject slightly in comparison to the sun. It’s like when I have a client shooting an event called agen sbobet terpercaya Indonesia.
Wrist still – If the picture looks blurry, almost blurry, the problem is you do not move the camera a lot when shooting: “micromosso” in the jargon. To convince you to find a very sharp image, hold the camera powerfully in both hands. You can do it with your smartphone by hand as a base. Then press the shutter button with the softest and hold the camera about half a second after “click”. If you would like to follow the advice of an old “movie” photographer still in effect, at the time of voting you should breathe!
Subject theme – Girlfriend, scenery in the background and even that aesthetic sunset sink? You want to catch everything, right? For framing too few elements, not to plant too little “in focus” flesh is a very common mistake. Aesthetic photos always highlight the subject. In other words, to pick up a good portrait, even half long or full length, try to approach and eliminate good background elements. In a panoramic or environmental portrait, you should concentrate on as much detail as possible, throwing all possible “visual distractions,” perhaps helping you with zooming or moving shots. Who sees your portrait should immediately know what the subject is, or what you want to capture then!
Focusing – Autofocus is sometimes unsuccessful because, instead of recognizing the real subject, it may favor the more or better, or very close, element of the frame, or more detailed illumination. All cameras with autofocus, however, offer a simple solution. Make sure we have a subject in the middle of the viewfinder and press the half-shutter release button. So the camera indicates to us what display you have focused on and is looking forward to you just fine. If it is wrong, lift your finger, move the frame less and explore it again. If it is the opposite, he or she witnesses us correctly, without carrying your fingers, or enlarging or cultivating our distance from the subject, perfecting the shot and reducing the button completely to take pictures. If you are using a smartphone, check if we can use similar techniques to “lock” the focus. This focusing can be used when you shoot a football match if you are not watching in the site like agen judi bola piala dunia.
Decrease level – When we take short subjects, or somehow close to the ground, like a child or an adult lying on a beach, you should not rarely lower yourself to the same elevation. If we keep a good photographer will see that they are not rarely knees bent, or even sitting and lying on the ground, because the best results are obtained when the camera “in line” with the subject. In a second time you can also experiment with a number of shots from the bottom, for example to pick up a long laden picture of someone who is not too tall.
Think or shoot? – If we take a “set” portrait, ie a static subject like a flower meadow or a mountain road, take the time to choose a shot. Try rotating the camera vertically, move it a little closer to the main subject and see how the portrait composition changes. Bend our knees and select by zoom what is “cut”. On the other hand, if the subject moves – a child running near the house or sparrow pecking on the balcony – an “instant” portrait is needed. Forget the buttons and menus, and count on the camera’s total automatism to instantly pick up pictures! The rules in this affair are: “first click, then ask question”.
Unexpected colors – We “human” witnessed a very contrasting color of the camera. If we take pictures of someone who swims on the beach, for example, “strangely” then his face would be blue like a smurf, or even orange, which is a complementary color of blue water. It depends on how the camera automatism listens to the “color” of light and seeks to coincide with the vision experienced by our mind, which compensates for the dominant notes. That’s why you often see colors after a number of seconds you place sunglasses with orange or orange lenses, but should not try to put them in front of the lens! His advice is to avoid, whenever possible, that the subject is close to the background, or the large, most colorful and illustrating objects in the changed light, like the sea and the most intense, shiny or clear colored walls. This also avoids the light conditions filtered by powerful colors such as, under the leaves of trees or colored plexiglass canopy.
Backlit Flash – Portrait portrait of light and the result is a silhouette, with a whole black subject, or a completely white background. The reason is that the amount of light that illuminates the face is very contrary to the intensity of the background. However, due to the physical limitations of digital sensors, the camera can adjust to merely capture in between. The best medicine is simple: use flash. Almost all modern cameras, but also not a few smartphones, will illuminate the light to balance the light on the face with the brightness of the background. Do a number of tests and check our camera’s manual adjustment if it does not happen. Remember, however, that you should be pretty close to the subject, especially if there is so little light in the background, if not, the strongest flash needed to balance the backlight.
Third-party rules – When shooting landscapes, you must follow rules that are harder to explain than apply. You should imagine, in practice, framing broken down into three horizontal slices of the same height. Your unique subject, or the sky or the one below it, should always occupy exactly two-thirds, leaving the last third to among the least attractive. Photos will be more comparable and fun.
Make sure we learn – When you come back with a good new set of portraits, take some time to quietly check it on a computer monitor or TV, because the error passes on a small screen. You must mercilessly remove the bad photos by making a list of mistakes made, remember how we take the best portrait and evaluate the results of the tests you are working on with the many camera settings and automatic shooting programs. This is the best way to create your own civilization.